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But this quickly turns into a courtroom drama, when she informs her family about the relationship. Even as she tells him in anger that she can take care of it without his support, he insists on abortion.Īfter this mid-way point, the film transforms from a romantic comedy to a relationship feud. He calls it an accidental, unnecessary pregnancy, which needs immediate abortion. Meanwhile, Subbu and Darling continue their relationship for several months. At this point, a male character takes four back-to-back shots. We witness a game of Never Have I Ever, where a girl casually says, “Never have I ever masturbated four times in a day”. It is also rare and refreshing for women characters in a Tamil film to not be The intimacy is not always shown through the perspective of the guy thankfully, and we even get a shot of her kissing his feet (I laughed, thinking about a particular Tamil filmmaker you know who). and then at some point, they get physically intimate. After a pregnant pause, Darling says no.īut when she falls sick, he takes care of her, which makes her like him. At one point, she asks him if he is in love with her. It is convenient for him that they both work at the same office and stay in the same flat. Subbu, however, does not like him initially. When the friend and his partner goes abroad, he comes home, with an expectation to sleep with Subbu and, well, a condom. He coaxes the friend to let him stay in their flat. When he meets Subbu (Divyabharathi), a coworker and his friend’s flatmate, he immediately desires her. He and his gang of close-knit friends from Coimbatore work at an IT firm in Bangalore. These leisurely paced slice-of-life scenes, accompanied by a delightful background score, also make the film seem more real.īy now, we know that Darling is hardly aware of anything else apart from his own needs. The director employs a lot of close-ups and slow-motion shots, for instance, to show the preparation of chicken biryani in one scene and sweet pongal in another. The scenes also move along unhurriedly, reflecting the protagonist’s perspective. The laughs are not just in the lines, they are in the visuals as well. When his friend laments to the rest of the gang about how he ruined his interview, Darling lazily takes a tumbler of tea and soaks in four biscuits, stirs it with a spoon and slowly eats it as the wet Macbook from the previous night hangs on the clothesline. Show Darling’s idleness and irresponsibility. Ivar dhaanga namma kadhai oda hero onna number somberi (this is our story’s hero he’s a number one sloth)” that we have heard in many comedies, Sathish prefers to But instead of employing a lazy narrator’s voice-over that says something along the lines of “ Idle and irresponsible youth is not new to Tamil cinema. This roommate is our protagonist, Darling (GV Prakash Kumar).Īlso Read | Get ‘First Day First Show’, our weekly newsletter from the world of cinema, in your inbox. But the roommate continues to unzip, with the shocked friend still watching, and pees on the laptop. The interviewee helplessly tries to send him away. But one of them, sloshed, wakes up, opens the door and starts unzipping his pants, thinking it is the restroom. He sits outside, perhaps not to disturb his sleeping roommates. We see a guy, living in a typically-messy bachelor pad, giving an online interview in formal shirt and boxers. Overall, this is another winner for Mani Ratnam and I hope he comes back to making good films like he did before 'Yuva'.Bachelor, begins with a laugh riot. Shalini too is brilliant though at times she's a little over the top.
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The actor really gets under the skin of the character. The two leads are outstanding but the 'Alai Payuthey' belongs to Madhavan.
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Rehman's melodious soundtrack is mesmerizing but a few of the songs, especially the item number, could have better been left out. There are a few glitches here and there, like some of the petty fights between the newly weds seems a little too petty to be believable. The chemistry between Madhavan and Shalini, the romantic moments, Karthik and Shakti's struggle post marriage, the guilt etc.all of it is well demonstrated. Ratnam's storytelling is sincere and even though one has witnessed such story numerous times in Indian cinema, 'Alai Payuthey' feels fresh.
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'Alai Payuthey' solely focuses on Karthik and Shakti's love story and how it develops from before till after marriage. While he has used similar themes in his previous films such as 'Bombay', it was usually against the backdrop of another theme such as the case of political Hindu-Muslim dilemma in 'Bombay'. With 'Alai Payuthey', Mani Ratnam comes back with an urban love story set in contemporary India.